To learn more, please visit or follow us on Twitter and Facebook. We’re also a small team of filmmakers and editors who are passionate about the creative, we love the gear, but we hated the workflow. ĭivergent Media is an independent software company focused on providing flexible tools for monitoring, quality assurance, and acquisition for the video production industry. For more information or to purchase EditReady with ScopeBox, please visit. Existing customers can upgrade to the bundle for $69.95 USD. This new bundle is priced at $119.95 USD for new customers. ScopeBox adds professional calibre, high quality accurate scopes directly linked to your media.ĮditReady with ScopeBox integration is available immediately, with EditReady bundled with ScopeBox. Professional Quality – most software scopes on the market today are slow and inaccurate.Dedicated full time scopes without external hardware, which means it’s fast!.Support for all the popular editing formats (ProRes, DNxHD, etc) and non-linear editors (Final Cut Pro, FCPX, Avid Media Composer, Adobe Premiere Pro, Apple iMovie).Quick transcode of any MXF, MTS (AVCHD), M2T (HDV), or QuickTime (MOV) file to an edit-ready format like Apple ProRes or Avid DNxHD.With EditReady, filmmakers have deep functionality right on set that significantly enhances the camera-to-edit workflow, with features including: ScopeBox 3 is the latest version of the Mac application that transforms users’ everyday computers into complete video-analysis suites. “Since EditReady can instantly playback footage directly from the camera, without any transcoding or re-wrapping steps needed, the new ScopeBox integration will provide them the fastest way to review media straight from the camera!”ĮditReady + ScopeBox: A Powerful Camera-to-Edit Workflow Divergent Media's ScopeBox 3 is now available for purchase at 99, and as a free update for existing customers. “EditReady with ScopeBox integration is a pretty big deal for filmmakers and editors because of its camera format and file format flexibility, it’s a solution that fits quite neatly between the camera and the editor,” said Mike Woodworth, founder of Divergent Media. And now with ScopeBox integration, filmmakers and editors have dedicated, full time scopes without the need for external hardware, taking advantage of ScopeLink to connect EditReady directly to ScopeBox. With support for all industry popular camera formats, and editing formats, EditReady converts media for immediate preview and playback, lets users apply LUTs for color correction, view and edit metadata, easily convert between DNxHD and ProRes and run simultaneous batches, allowing them to generate proxy media or convert footage from different cameras. With this new version, EditReady now integrates Divergent Media’s ScopeBox software, providing filmmakers and editors with a single workflow to quickly and easily get footage from the camera to the editor, regardless of camera or file format. San Francisco, CA (March 2, 2016) – Divergent Media ( ) today announced it has launched a new version of its EditReady digital media prep, monitor and delivery software for DITs and editors. I am proud of the color work I have completed on behalf of my many clients: film historians, established producers, and creative agencies.Divergent Media Completes Integration of ScopeBox with EditReadyĮditReady Digital Media Prep, Monitor and Delivery Tools Combine Powerful ScopeBox Features to Add Full Time Scopes with No Additional Hardware Needed divergent media has worked hard to incorporate feature requests and bug fixes into the latest version of Scopebox. In a commercial, the product is the hero, and deserves the same creative color treatment as a major Hollywood production. When it comes to color grading commercials, creative agencies know my color philosophy. My work can be seen on television in Cuba, in theaters in Mexico, and on OTT from Latin America to Canada. Today’s filmmakers call on me to help treat their films and television episodics with the same creative artistry and attention to detail. My color restoration work includes film noir, drama, comedy, and musicals directed by some of the best film directors from the 1930s to the 1980s, such as Roberto Gavaldón, Luis Buñuel, Juan Orol, Fernando de Fuentes, and many more. It is a privilege to color restore classic motion pictures starring María Félix, Pedro Armendariz, Miroslava, Katy Jurado, Silvia Pinal, Germán Valdés, "Tin Tan," Fernando Soler, Arturo de Córdova, René Cardona among others. I have color restored 100s of classic motion pictures from the Golden Age of Mexican Cinema. The landscape of my work is as colorful as the pallet of colors that I work with, and the diverse films I work on. I am a premiere color artist working in both the Spanish and English markets since 2005.
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